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Brochure Fresco Ceramics

Brochure Fresco Ceramics
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FRESCO CERAMICS Step-by-step application

TAKING YOUR TIME, PAYING ATTENTION TO DETAILS AND FEELING ARTISTIC THIS IS WHAT OUR NEW FRESCO CERAMICS STAND FOR. Dental technicians can rediscover the passion for their profession in a very special way. That's what makes our Fresco Ceramics so unique and we want to show you why!

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FRESCO ENAMEL

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FRESCO ENAMEL – CERAMIC PASTES FOR VENEERING ZIRCONIA STRUCTURES IN VESTIBULAR TOOTH AREAS

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FRESCO ENAMEL FLUO FRESCO ENAMEL OPAL FRESCO ENAMEL TRANSPA NEUTRAL FRESCO ENAMEL TRANSPA 3 FRESCO ENAMEL TRANSPA GREY FRESCO ENAMEL TRANSPA ORANGE

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MONOLITHIC SINGLE CROWN MADE OF PRETTAU® 3 DISPERSIVE® ZIRCONIA 1. Sintered, monolithic crown Fluo: control Enrico Steger NOTE: Fresco Firing n. 1 is not required for monolithic single GLAZE AND STAIN FIRING With Fresco Enamel Fluo, a natural fluorescent effect can be achieved even with the application of a thin layer.

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SLIGHTLY REDUCED SINGLE CROWN MADE OF PRETTAU® 2 DISPERSIVE® ZIRCONIA Transpa Neutral Enrico Steger Fluo: control SLIGHTLY REDUCED reduced crown GLAZE AND STAIN FIRING

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MONOLITHIC SINGLE CROWN MADE OF PRETTAU® 3 DISPERSIVE® ZIRCONIA Monolithic crown after sintering Surface structure of the monolithic crown Monolithic crown with Fresco Enamel Fluo

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SLIGHTLY REDUCED SINGLE CROWN MADE OF PRETTAU® 2 DISPERSIVE® ZIRCONIA Slightly reduced crown (0.3 – 0.5 mm) Surface structure Slightly reduced crown with after sintering of the slightly reduced crown Fresco Enamel Transpa Neutral

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ICE STAINS 3D BY ENRICO STEGER: ICE STAINS 3D BLUE LIGHTNING Sintered

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In order to exclude possible pigment accumulations and unnatural effects, we suggest to perform a light test holding the structure against incident light, and if necessary carry out a correction. TIP: Characterisation of the incisal area with the Blue Lightning shade for a natural incisal effect.

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FRESCO GINGIVA

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FRESCO GINGIVA VS. NATURAL GINGIVA

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UNLEASH YOUR INNER ARTIST BY MIXING AND INDIVIDUALISING THE CERAMIC PASTES TIP: Mix Fresco Enamel and Fresco Gingiva to create more transparent and lighter colours. Fresco Enamel Transpa Neutral Fresco Enamel Opal

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FRESCO GINGIVA – CERAMIC PASTES FOR VENEERING ZIRCONIA STRUCTURES IN THE GINGIVAL AREA FRESCO LIQUID (10 ml) KEAD6401 Mixing liquid to individualise the Mixing liquid to refresh the Fresco pastes consistency of Fresco pastes and recreate and increase their modelling properties. the properties of conventional ceramics. In this way, they remain moist for a longer For a quick and easy drying. time and can be modelled for several hours.

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FRESCO LIQUID CONVENTIONAL CERAMICS DRYING PROCESS INITIAL SITUATION Compared to conventional ceramics, Fresco pastes can be modelled for a longer time. Their consistency can be further personalised by adding the two mixing liquids Fresco Liquid and AFTER 14 HOURS Fresco Gel, depending on the preferred working method. 19

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STEP BY STEP: RESTORATION MADE OF PRETTAU® 3 DISPERSIVE® ZIRCONIA

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION After colour in ltration

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION Fresco Firing n 1. functions as a wash and bond ring, in which the temperature is set a little bit higher to achieve a slight over ring of the pastes. This ensures an optimal bond between the zirconia and the Fresco Ceramics. TIP: To create an optimal colour base for further characterisation, layer the gingival area with Fresco Gingiva 5 mixed with Fresco Gel. TIP: Mix Fresco Enamel Fluo with Fresco Gel to create a fluorescent base on the vestibular tooth area. Before Fresco Firing n. 1 24

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION TIP: Create individual colour shades by mixing the ceramic pastes with ICE Stains 3D by Enrico Steger.

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION OPTIONAL TIP: Before Fresco Firing n. 1, check the uniform application of the uorescent paste using a UV lamp. Before Fresco Firing n. 1 26

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION After Fresco Firing n. 1 27

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION TIP: Mix the ICE Stains 3D by Enrico Steger with 3D Base Glaze to achieve a uniform application.

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ICE STAINS 3D BY ENRICO STEGER Three-dimensional stains with special depth effect For surface colouring of full zirconia, ceramics and pressed ceramics By working with the glazing mass directly on the restoration, a stain and glaze ring can be performed in one step

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION Application of Fresco Enamel and Fresco Gingiva 30

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Fresco Essential set includes six Fresco Gingiva and four Fresco Enamel shades. In order to individualise the ceramic pastes, it includes the two mixing liquids Fresco Gel and Fresco Liquid as well as all necessary processing tools: brushes in different sizes, a glass plate and the spatula for ceramic. If needed, the colours Fresco Enamel Transpa Orange and Fresco Enamel Transpa Grey are also available.

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION TIME-SAVING DUE TO MINIMAL SHRINKAGE First, the darker areas of the gingiva are layered with the darker Fresco Gingiva pastes. Lighter shades are then applied to achieve a natural Application of Fresco Ceramics – Before Fresco Firing n. 2 32 Result after Fresco Firing n. 2 reproduction of the alveolar mucosa down to the marginal gingiva

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WORKFLOW EXAMPLE – MONOLITHIC LOWER RESTORATION Fresco Firing n. 2 is conceived to maintain the layered surface structure as well as possible during the ring process. With Fresco Firing n. 2, zirconia structures of different sizes can be red simultaneously: heating and cooling rates are the only parameters to be adapted, since they are directly related to the size and mass of the zirconia structure. After Fresco Firing n. 2 Final glaze and stain ring

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